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Æ÷Å©³Ê-William Faulkner, ¼Ò¼³°¡, ³ëº§»ó, USA
Àª¸®¾ö Æ÷Å©³Ê (William Cuthbert Faulkner) ÀÛ°¡



[Ãâ»ý] William Cuthbert Faulkner
1897³â 9¿ù 25ÀÏ
¹Ì½Ã½ÃÇÇ ÁÖ ´º¿Ã¹ö´Ï(New Albany, Mississippi)

[»ç¸Á] 1962³â 7¿ù 6ÀÏ (64¼¼)
¹Ì½Ã½ÃÇÇ, ºñÇÒ¸®¾Æ(Byhalia, Mississippi)

[35ºÐ Youtube µ¿¿µ»ó]


[±¹Àû] ¹Ì±¹

[Çз»çÇ×]
~ 1920 ¹Ì½Ã½ÃÇÇ´ëÇб³ ÁßÅð

[¼ö»ó³»¿ª]
1962 ǽ¸®Ã³»ó
1954 ǽ¸®Ã³»ó
1949 ³ëº§¹®Çлó

[Á÷¾÷] ¼Ò¼³°¡, ´ÜÆí ¼Ò¼³°¡



[À帣] ³²ºÎ °íµñ(Southern Gothic)

[ÁÖ¿äÀú¼­]
¡¶¿ìÈ­(éÕü¥) A Fable¡·(1954),¡¶ÀÚµ¿Â÷ µµµÏ¡·(1962)



[¿ä¾à]
Àª¸®¾ö Ä¿½º¹öÆ® Æ÷Å©³Ê(William Cuthbert Faulkner,
1897³â 9¿ù 25ÀÏ ~ 1962³â 7¿ù 6ÀÏ)´Â ¹Ì±¹ ÀÛ°¡ÀÌ´Ù.

20¼¼±â¿¡ °¡Àå ¿µÇâ·Â ÀÖ´Â ÀÛ°¡ Áß ÇÑ »ç¶÷À¸·Î,
±×´Â 1949³â ³ëº§ ¹®ÇлóÀ» ¹Þ¾Ò´Ù.

±×ÀÇ ¸í¼ºÀº ±×°¡ ¾´ ÀåÆí ¼Ò¼³°ú
´ÜÆí ¼Ò¼³¿¡ ¹ÙÅÁÀ» µÐ °ÍÀÌ´Ù.

±×·¯³ª ±×´Â ½ÃÁýµµ ³Â°í, ¶§¶§·Î ½Ã³ª¸®¿Àµµ ½è´Ù.

Æ÷Å©³Ê°¡ ÇÑ Ã¢ÀÛÀÇ ´ëºÎºÐÀº ±×ÀÇ °íÇâÀÎ
¹Ì½Ã½ÃÇǸ¦ ¹«´ë·Î ÇÏ°í ÀÖ°í,

±×´Â ¹Ì±¹ ³²ºÎ ¹®Çп¡¼­ ¸¶Å© Æ®¿þÀÎ, Ç÷¡³Ê¸® ¿ÀÄÚ³Ê,
±×¸®°í Å׳׽à Àª¸®¾ö½º¿Í ÇÔ²² °¡Àå Áß¿äÇÑ ÀÛ°¡ Áß
ÇÑ »ç¶÷À¸·Î ¿©°ÜÁö°í ÀÖ´Ù.



1920³â´ë Á߹ݿ¡ ±×ÀÇ Ã¥ÀÌ Á¤±âÀûÀ¸·Î ÃâÆǵǾúÀ½¿¡µµ ºÒ±¸ÇÏ°í,
±×´Â ³ëº§ ¹®ÇлóÀ» ¹Þ±â Àü±îÁö ±×´ÙÁö ¸¹ÀÌ ¾Ë·ÁÁöÁö ¾Ê¾Ò´Ù.

ÇöÀç ±×´Â ¹Ì±¹ ¿ª»ç Àüü¿¡ °ÉÃÄ
À§´ëÇÑ ÀÛ°¡·Î ¿©°ÜÁö°í ÀÖ´Ù.



±×ÀÇ ´ëÇ¥ÀÛÀ¸·Î´ÂThe Sound and the Fury ¼Ò¸®¿Í ºÐ³ë (1929),



As I Lay Dying ³»°¡ Á×¾î ´©¿ö ÀÖÀ» ¶§ (1930),

Light in August 8¿ùÀÇ ºû (1932). Absalom, Absalom! ¾Ð»ì·Ò,
¾Ð»ì·Ò (1936), ³× ±ÇÀÇ ¼Ò¼³ÀÌ Æ÷ÇԵȴÙ.



[»ý¾Ö ¹× È°µ¿]
¹Ì±¹ÀÇ ÀÛ°¡·Î ³ëº§¹®Çлó(1949), ǽ¸®Ã³»ó 2ȸ ¼ö»óÀÚÀÌ´Ù.

ÀÛÇ°Àº¡¶¿ìÈ­¡·,¡¶ÀÚµ¿Â÷ µµµÏ¡·µîÀÌ´Ù.

¹Ì±¹ ³²ºÎ»çȸÀÇ º¯ÃµÇØ¿Â ¸ð½ÀÀ» ¿¬´ë±âÀûÀ¸·Î ¹¦»çÇÏ¿´´Ù.



¹Ì½Ã½ÃÇÇÁÖ(ñ¶)ÀÇ ´º¿Ã¹ö´Ï¿¡¼­ Ãâ»ýÇÏ¿´´Ù.

1949³âµµ ³ëº§¹®Çлó ¼ö»óÀÚÀ̸ç,
µÎ Â÷·Ê ǽ¸®Ã³»óÀ» ¹Þ¾Ò´Ù.

³²ºÎ(ÑõÝ»)ÀÇ ¸í¹®°¡¿¡¼­ ž ¾î¸± Àû¿¡ ±ÙóÀÎ
¿Á½ºÆÛµå·Î ¿Å°Ü ±×ÀÇ »ý¾ÖÀÇ Å¹ÝÀ» ÀÌ °÷¿¡¼­ º¸³Â´Ù.

¾î·Á¼­ºÎÅÍ ±ÛÀ» ÁÁ¾ÆÇÏ¿© °í±³ ½ÃÀý ½ÃÁý(ãÌó¢)À» Žµ¶ÇÏ°í
½º½º·Î ½ÃÀÛ(ãÌíÂ)À» ½ÃµµÇÏ¿´À¸³ª °í±³¸¦ ÁßÅðÇÏ¿´´Ù.

Á¦1Â÷ ¼¼°è´ëÀüÀÌ ÀϾÀÚ Áö¿øÇؼ­
ij³ª´ÙÀÇ ¿µ±¹°ø±º¿¡ ÀÔ´ëÇÏ¿´°í,

Á¦´ë ÈÄ Å𿪱ºÀÎÀÇ Æ¯Çý·Î ¹Ì½Ã½ÃÇÇ´ëÇб³¿¡ ÀÔÇÐÇÏ¿©
±³³» Á¤±â°£Ç๰¿¡ ½Ã¸¦ °è¼ÓÇؼ­ ¹ßÇ¥ÇÏ¿´´Ù.

1920³â ´ëÇеµ ÁßÅðÇÏ°í °ð °íÇâÀ¸·Î µ¹¾Æ¿Í,
1924³â Ä£±¸ÀÇ µµ¿òÀ¸·Î ó³à½ÃÁý
¡¶´ë¸®¼®ÀÇ ¸ñ½Å»ó(ÙÌãêßÀ) The Marble Faun¡·À» ÃâÆÇÇÏ¿´´Ù.



±×ÈÄ ¼Ò¼³À» ¾²±â ½ÃÀÛÇÏ¿©, 1926³â ÀüÀïÀ¸·Î ÆóÀÎÀÌ µÈ
ÇÑ °ø±ºÀå±³¸¦ ÁÖÀΰøÀ¸·Î ÇÑ Ã¹ÀÛÇ°
¡¶º´»çÀÇ º¸¼ö Soldier¡¯s Pay¡·¸¦ ¹ßÇ¥ÇÏ°í,

1927³â dzÀÚ¼Ò¼³ ¡¶¸ð±â Mosquitoes¡·,
1929³â ³²ºÎ±ÍÁ· »çÅ丮½º ÀÏ°¡(ìéÊ«)ÀÇ À̾߱⸦ ¾´
¡¶»çÅ丮½º Sartoris¡·¸¦ ¹ßÇ¥ÇÏ¿´´Ù.

À̾î 1929³â ¶Ç ´Ù¸¥ ³²ºÎ±ÍÁ· Ãâ½ÅÀÎ ÄÞÇÁ½¼ÀÏ°¡ÀÇ
¸ô¶ôÇÏ´Â ¸ð½ÀÀ» ±×¸° ¹®Á¦ÀÛ

¡¶À½Çâ°ú ºÐ³ë The Sound and the Fury¡·¸¦ ¹ßÇ¥ÇÏ¿©
ÀϺΠÆò·Ð°¡ÀÇ ÁÖ¸ñÀ» ²ø¾ú´Ù.

´Ù½Ã 1930³â °¡³­ÇÑ ¹éÀÎ ³óºÎ ¾Æ³»ÀÇ Á×À½À» ´Ù·é
¡¶ÀÓÁ¾ÀÇ ÀÚ¸®¿¡ ´©¿ö¼­ As I Lay Dying¡·,

1931³â ÇÑ ¿©´ë»ýÀÌ ¼ººÒ±¸ÀÚ¿¡°Ô ´É¿å´çÇÏ´Â »ç°ÇÀ» µÑ·¯½Î°í
»ìÀλç°ÇÀÌ ¹ú¾îÁö´Â ÀÛÇ° ¡¶¼º¿ª(á¡æ´) Sanctuary¡·(1931)À»
¹ßÇ¥ÇÏ¿© ÀÏ¹Ý µ¶ÀÚ¿¡°Ôµµ À̸§ÀÌ ¾Ë·ÁÁö°Ô µÇ¾ú´Ù.



±× ÈÄ ¡¶8¿ùÀÇ ÇÞºû Light in August¡·(1932)
¡¶¾Ð»ì·Ò, ¾Ð»ì·Ò Absalom, Absalom!¡·(1936)

¡¶¾ß¼ºÀÇ Á¾·Á(ð÷Õê) The Wild Palms¡·(1939)
¡¶¸¶À»¡· ¡¶¹«´ýÀÇ Ä§ÀÔÀÚ Intrudrer in the Dust¡·(1948)

¡¶¿ìÈ­(éÕü¥) A Fable¡·(1954, ǽ¸®Ã³»ó ¼ö»ó)
¡¶À¾³»(ëéÒ®) The Town¡·(1957)

¡¶ÀúÅÃ(îÐÓë) The Mansion¡·(1959), ±×¸®°í À¯¸Ó¸¦ Ư»öÀ¸·Î ÇÏ´Â
¡¶ÀÚµ¿Â÷ µµµÏ¡·(1962, ǽ¸®Ã³»ó ¼ö»ó) µî
ÀåÆí¼Ò¼³À» °è¼ÓÇؼ­ ¹ßÇ¥ÇÏ¿´´Ù.

ÀÌ ¹Û¿¡µµ ÁßÆí°ú ´ÜÆíµµ »ó´çÈ÷ ½á¼­
¡¶°õ The Bear¡·À» ºñ·ÔÇÑ ¸î ±ÇÀÇ ´ÜÆíÁýµµ Æì³Â´Ù.

ÀÌ»óÀÇ ¿©·¯ ÀÛÇ°À» ÅëÇؼ­ Æ÷Å©³Ê´Â ¹Ì±¹ ³²ºÎ»çȸÀÇ
º¯ÃµÇØ¿Â ¸ð½ÀÀ» ¿¬´ë±âÀûÀ¸·Î ¹¦»çÇÏ¿´´Ù.

À̸¦ À§ÇØ ±×´Â ¡®¿äÅ©³ªÆÄÅäÆıº(YoknapatawphaÏÛ)¡¯À̶ó´Â
°¡°øÀûÀÎ Áö¿ªÀ» ¼³Á¤ÇÏ°í ±× °÷À» ¹«´ë·Î Çؼ­

19¼¼±â ÃʺÎÅÍ 20¼¼±âÀÇ 1940³â´ë¿¡ °ÉÄ£ ½Ã´ëÀû º¯Ãµ°ú
³²ºÎ»çȸ¸¦ Çü¼ºÇÏ´Â °ÍÀ¸·Î »ý°¢µÇ´Â
´ëÇ¥ÀûÀÎ Àι°µéÀ» µîÀå½ÃÄÑ

ÇÑ°á°°ÀÌ ¹è´öÀû(ÛÎÓìîÜ)ÀÌ¸ç ºÎµµ´öÇÑ ³²ºÎ »ó·ù»çȸÀÇ
»çȸ»ó(ÞäüåßÓ)À» °í¹ßÇÏ¿´´Ù.

ÀÌ°ÍÀº °á±¹ Àΰ£¿¡ ´ëÇÑ ½Å·Ú¿Í
ÈÞ¸Ó´ÏÁòÀÇ ¿ª¼³Àû Ç¥ÇöÀ» ÅëÇØ

Àΰ£ÀÇ º¸ÆíÀûÀÎ ¸ð½ÀÀ» ±Ô¸íÇÏ·Á´Â
±×ÀÇ ÀÇÁöÀÇ ¹ßÇö(Û¡úÞ)À̶ó ÇÒ ¼ö ÀÖ´Ù.



[°áÈ¥ ¹× °¡Á· »ýÈ° µî]
¿Á½ºÆ۵忡¼­ 10´ë ½ÃÀý Æ÷Å©³Ê´Â
·¹¹«¿¤ ¼Ò·É°ú ¸®´Ù ¿ÃµåÇÜÀÇ Àα⠵þÀÎ
¿¡½ºÅÚ ¿ÃµåÇÜ(Estelle Oldham, 1897~1972)°ú µ¥ÀÌÆ®¸¦ Çß°í,

Àڽŵµ ¿¡½ºÅÚ°ú °áÈ¥ÇÒ °ÍÀ̶ó°í ¹Ï¾ú´Ù.

±×·¯³ª ¿¡½ºÅÚÀº ·Î¸Ç½º Áß¿¡ ´Ù¸¥ ¼Ò³âµé°ú µ¥ÀÌÆ®¸¦ Çß°í,

1918³â ÄÚ³Ú ÇÁ·©Å¬¸°Àº(FaulknerÀÇ 5³â ¼±¹è)´Â
Faulknerº¸´Ù ¸ÕÀú ±×³à¿¡°Ô °áÈ¥À» Á¦¾ÈÇß´Ù.

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¿¡½ºÅÚÀº ÇÁ·©Å¬¸°°úÀÇ °áÈ¥À» ¼ö¶ôÇß°í,
Æ÷Å©³Ê´Â Å©°Ô »ó½ÉÇß´Ù.

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¼¼¿ùÀÌ Èê·¯ 11³â ÈÄ,
1929³â Æ÷Å©³Ê´Â ¿¡½ºÅÚ ¿ÃµåÇÜ(Estelle Oldham)°ú
¸¶Ä§³» °áÈ¥Çß°í,

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¾Øµå·ù Äï(Andrew Kuhn)ÀÌ °áÈ¥½ÄÀÇ µé·¯¸® ¿ªÇÒÀ» ¸Ã¾Ò´Ù.

¿¡½ºÅÚÀº ÀÌÀü Cornell Franklin°úÀÇ °áÈ¥¿¡¼­ ³ºÀº
µÎ Àڳฦ µ¥¸®°í ¿ÔÀ¸¸ç,
Æ÷Å©³Ê´Â ÀÛ°¡»ýÈ°·Î »õ·Î¿î °¡Á·À» Áö¿øÇϱ⸦ Èñ¸ÁÇß´Ù.

Faulkner¿Í EstelleÀº 1933³â¿¡ µÑ»çÀÌÀÇ µþ JillÀ» ³º¾Ò´Ù.

Æ÷Å©³Ê´Â University of Mississippi Power House¿¡¼­
¾ß°£ ±Ù¹«¸¦ Çϸ鼭 1929³â¿¡ As I Lay DyingÀ» ¾²±â ½ÃÀÛÇß´Ù.
ÀÌ ¼Ò¼³Àº 1930³â¿¡ ÃâÆǵǾú´Ù.



1930³âºÎÅÍ Æ÷Å©³Ê´Â ÀÚ½ÅÀÇ ´ÜÆí ¼Ò¼³ Áß ÀϺθ¦
´Ù¾çÇÑ Àü±¹ ÀâÁö¿¡ º¸³Â´Ù.

±× Áß ¸î¸îÀº ÃâÆǵǾú°í ±×¿¡°Ô °¡Á·À» À§ÇØ
¿Á½ºÆ۵忡 ÀÖ´Â ÁýÀ» ±¸ÀÔÇϱ⿡ ÃæºÐÇÑ ¼öÀÔÀ» °¡Á®´Ù ÁÖ¾ú°í,
±× ÁýÀ» Rowan Oak ¶ó°í ¸í¸íÇß´Ù.

µ·À» ¹ú°íÀÚ ÇÏ´Â ¿­¸Á¿¡ ÈûÀÔ¾î
Faulkner´Â Sanctuary¸¦ ½è´Ù.



Æ÷Å©³Ê´Â ÀÛÇ°¿¡ ´ëÇÑ Á¦ÇÑµÈ ·Î¿­Æ¼·Î ¼öÀÔÀ» º¸ÃæÇϱâ À§ÇØ
The Saturday Evening Post¿Í °°Àº ÀâÁö¿¡
´ÜÆí ¼Ò¼³À» ÃâÆÇÇß´Ù.

[Æò°¡]
Æò»ýÅä·Ï ³²ºÎ ¹Ì±¹ÀÎÀ¸·Î »ì°íÀÚ Çß´ø ±×ÀÇ ¼Ò¼³Àº
³²ºÏÀüÀï°ú Àç°Ç±â µ¿¾È ³²ºÎÀÇ ÀüÅëÀûÀÎ °¡Ä¡¿Í
±×°ÍÀÇ ¼è¶ô¿¡ ´ëÇØ Á¤±³ÇÏ°Ô Ç¥ÇöÇßÀ¸¸ç

ÀÛÇ° ¼Ó¿¡¼­ ¹®Ã¼Àû, ±¸Á¶Àû Çõ½ÅÀ» ÀÌ·ç¾î
Çö´ë ¹Ì±¹ ¹®ÇÐÀÇ ¸ð´õ´ÏÁò °è¿­À» °³Ã´Çß´Ù.

ÀϹÝÀûÀ¸·Î 20¼¼±â ÃÖ°íÀÇ ¹Ì±¹ ÀÛ°¡·Î ²ÅÈ÷´Âµ¥,
±×ÀÇ ºñÆòÀû ¼º°øÀº Çì¹Ö¿þÀ̳ª ÇÇÃ÷Á¦·²µåµµ
Å©°Ô ´É°¡ÇÒ Á¤µµÀ̸ç

³Ê»õ´Ï¾ó È£¼Õ, Çã¸Õ ¸áºô, ¸¶Å© Æ®¿þÀÎ, Ç Á¦ÀÓ½º¿Í ÇÔ²²
¹Ì±¹ ¹®ÇÐÀ» ¼¼°è¿¡¼­ ¿ì¶Ò ¼­°Ô ÇÑ À§´ëÇÑ ÀÛ°¡¶ó°í Æò°¡¹Þ´Â´Ù.

ÀÛ°¡°¡ ÀåÆí, ´ÜÆíÀ» °¡·ÎÁö¸£¸ç È°µ¿ÇÑ ÅͶó
¾Æ¿ôDzÀÌ ¹æ´ëÇÑ ÆíÀ̶ó´Â °Íµµ ±×ÀÇ ÀåÁ¡ÀÌÁö¸¸

Àü±â, Áß±â ÀÛÇ°µé¿¡ ºñÇØ Èıâ ÀÛÇ°µéÀÇ Æò°¡°¡
´Ù¼Ò ³·Àº °ÍÀº Èì,

¿¹¸¦ µé¾î, Æ÷Å©³ÊÀÇ ½º³ëÇÁ »ïºÎÀÛÀº ¡ºÀ½Çâ°ú ºÐ³ë¡»¿¡ ºñÇØ
¿¬±¸°¡ È°¹ßÇÏÁö ¾Ê´Ù.

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[³ëº§»ó ¼ö»ó µî]
1949³â ³ëº§ ¹®ÇлóÀ» ¼ö»óÇÏ¿´´Ù.

³ëº§ ¹®Çлó ¼ö»ó½Ä¿¡¼­
"°¥µî¿¡ ºüÁø Àΰ£ÀÇ ¸¶À½À̾߸»·Î
±ÛÀ» ¾µ ¸¸ÇÑ °¡Ä¡°¡ ÀÖ´Â À¯ÀÏÇÑ °ÍÀÌ´Ù"

(¡°The only thing worth writing about is
the human heart in conflict with itself¡±)¶ó´Â
¸»À» ³²±â±âµµ Çß´Ù.

1949³â ³ëº§ ¹®ÇлóÀ» ¼ö»óÇÏ°í,

1³âÀÌ Áö³­ 1950³â¿¡ ¹öÆ®·±µå ·¯¼¿°ú ÇÔ²² ½Ã»ó½ÄÀ» °¡Á³°í
³ëº§»ó »ó±Ý Áß ÀϺδ ½ÅÀÎ ¼Ò¼³°¡µéÀ» Áö¿øÇϱâ À§ÇÑ
±â±Ý¿¡ ±âºÎÇß´Ù.

1951³â¿¡´Â ÇÁ¶û½º Á¤ºÎ·ÎºÎÅÍ
·¹Áö¿Ë µµ³ú¸£ ½´¹ß¸®¿¡ ÈÆÀåÀ» ¹Þ¾Ò´Ù.

µ¿½Ã´ë Àå Æú »ç¸£Æ®¸£´Â
"ÇÁ¶û½º ÀþÀºÀ̵鿡°Ô Æ÷Å©³Ê´Â ½ÅÀÌ´Ù"¶ó°í ¸»Çß°í,
¾Ëº£¸£ Ä«¹¿´Â Æ÷Å©³ÊÀÇ ·¹Äû¿¥À» ¹«´ë·Î °¢»öÇß´Ù.

Æ÷Å©³Ê´Â 1957³â 2¿ùºÎÅÍ 6 ¿ù±îÁö ±×¸®°í
1958³â¿¡ ´Ù½Ã Charlottesville¿¡ ÀÖ´Â ¹öÁö´Ï¾Æ ´ëÇп¡¼­
ÃÖÃÊÀÇ »óÁÖ ÀÛ°¡·Î ÀçÁ÷Çß´Ù.

1961³â¿¡ Æ÷Å©³Ê´Â ±×ÀÇ 19¹ø°ÀÌÀÚ ¸¶Áö¸· ¼Ò¼³ÀÎ
The Reivers¸¦ ¾²±â ½ÃÀÛÇß´Ù.

¼Ò¼³Àº Çâ¼ö¸¦ ºÒ·¯ÀÏÀ¸Å°´Â ȸ»óÀ¸·Î,
³ªÀ̵ç ÇҾƹöÁö°¡ µÎ ¼Ò³â°ú ÇÔ²² ¸âÇǽº ¸ÅÀ½±¼·Î
¿îÀüÇϱâ À§ÇØ Â÷¸¦ ÈÉÃÆ´ø À¯¸Ó·¯½ºÇÑ ¿¡ÇǼҵ带 À̾߱âÇÑ´Ù.

1961³â ¿©¸§¿¡ ±×´Â ù ¹ø° ÃʾÈÀ» ¸¶ÃÆ´Ù.

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[»ç¸Á]
1962³â 6¿ù 17ÀÏ Æ÷Å©³Ê´Â ¸»¿¡¼­ ¶³¾îÁ®
½É°¢ÇÑ ºÎ»óÀ» ÀÔ¾î Ç÷ÀüÁõÀ» ÀÏÀ¸Ä×´Ù.

Æ÷Å©³Ê´Â 1962³â 7¿ù 6ÀÏ 64¼¼ÀÇ ³ªÀÌ·Î
¹Ì½Ã½ÃÇÇÁÖ ¹ÙÀÌÇÒ¸®¾Æ¿¡ ÀÖ´Â ¶óÀÌÆ® ¿ä¾ç¿ø¿¡¼­
³«¸¶»ç°í ÈÄÀ¯ÁõÀ¸·Î, Ä¡¸íÀûÀÎ ½ÉÀ帶ºñ·Î »ç¸ÁÇÏ¿´´Ù.

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Æ÷Å©³Ê´Â ±×ÀÇ °¡Á·°ú ÇÔ²²
¿Á½ºÆÛµåÀÇ ¼º º£µå·Î ¹¦Áö¿¡ ¹¯Çû´Ù.

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[Æ÷Å©³Ê ¿¬º¸]
1897 9¿ù 25ÀÏ ¹Ì½Ã½ÃÇÇ ÁÖ Ãâ»ý.

1914 ¿Á½ºÆÛµå °íµîÇб³ ¸¶Áö¸· Çг⠶§ ÀÚÅð.

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1919 1Â÷ ´ëÀü ÂüÁ¡ ¿ë»ç ƯÇý¸¦ ÀÔ¾î ¹Ì½Ã½ÃÇÇ ´ëÇп¡ ÀÔÇÐ.
8¿ù, ù ½Ã <¸ñ½ÅÀÇ ¿ÀÈÄ L'Apres-midi d'un Faune>°¡ ½Ç¸².

1924 Ä£±¸ÀÇ µµ¿òÀ¸·Î ó³à½ÃÁý
¡¶´ë¸®¼®ÀÇ ¸ñ½Å»ó The Marble Faun¡· Ãâ°£.

1926 ù ¼Ò¼³ ¡¶º´»çÀÇ º¸¼ö Soldier¡¯s Pay¡· Ãâ°£.

1927 µÎ¹ø° ¼Ò¼³ ¡¶¸ð±â Mosquitoes¡· Ãâ°£.

1929 ¡¶»çÅ丮½º Sartoris¡·, ¡¶À½Çâ°ú ºÐ³ë
The Sound and the Fury¡· Ãâ°£.

1930 ¡¶ÀÓÁ¾ÀÇ ÀÚ¸®¿¡ ´©¿ö¼­ As I Lay Dying¡· Ãâ°£.

1931 ¡¶¼º¿ª Sanctuary¡· Ãâ°£.

1936 ¡¶¾Ð»ì·Ò, ¾Ð»ì·Ò Absalom, Absalom!¡· Ãâ°£.

1948 ¡¶¹«´ýÀÇ Ä§ÀÔÀÚ Intrudrer in the Dust¡·Ãâ°£.

1954 ¡¶¿ìÈ­ A Fable¡··Î ǽ¸®Ã³»ó ¼ö»ó.

1962 ¸¶Áö¸· ¼Ò¼³ÀÌ µÈ ¡¶ÀÚµ¿Â÷ µµµÏ The Reivers¡· Ãâ°£.
7¿ù 6ÀÏ ¹ÙÀÌÇÒ¸®¾Æ¿¡ ÀÖ´Â º´¿ø¿¡¼­ ½ÉÀ帶ºñ·Î »ç¸Á.

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1963 ¡¶ÀÚµ¿Â÷ µµµÏ¡·À¸·Î ǽ¸®Ã³»ó ¼ö»ó.



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---------------------------

[ê GPT ´äº¯¿¡ ¿À·ù(hallucination: ȯ°¢ µî)°¡ ÀÖÀ¸´Ï,
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========================================

William Faulkner

[Born] William Cuthbert Falkner
September 25, 1897
New Albany, Mississippi, U.S.

[Died] July 6, 1962 (aged 64)
Byhalia, Mississippi, U.S.

[Language] English

[Nationality] American

[Alma mater]
University of Mississippi (no degree)

[Period] 1919–1962

[Notable works]
The Sound and the Fury
As I Lay Dying
Light in August
Absalom, Absalom!
A Rose for Emily

[Notable awards]
Nobel Prize in Literature 1949

Pulitzer Prize for Fiction 1955, 1963

National Book Award 1951, 1955

[Spouse]
Estelle Oldham (1929–1962; his death)

[Recommended Youtube Video]


William Cuthbert Faulkner
(September 25, 1897 – July 6, 1962)
was an American writer and Nobel Prize
laureate from Oxford, Mississippi. Faulkner
wrote novels, short stories, a play, poetry,
essays, and screenplays. He is primarily
known for his novels and short stories set
in the fictional Yoknapatawpha County, based
on Lafayette County, Mississippi, where he
spent most of his life.



Faulkner is one of the most celebrated
writers in American literature generally and
Southern literature specifically. Though his
work was published as early as 1919, and
largely during the 1920s and 1930s, Faulkner
was relatively unknown until receiving the
1949 Nobel Prize in Literature, for which he
became the only Mississippi-born Nobel winner.

Two of his works, A Fable (1954) and
his last novel The Reivers (1962), won the
Pulitzer Prize for Fiction. In 1998, the
Modern Library ranked his 1929 novel The
Sound and the Fury sixth on its list of the
100 best English-language novels of the 20th
century; also on the list were As I Lay
Dying (1930) and Light in August (1932).
Absalom, Absalom! (1936) is often included
on similar lists.



[Writing]
From the early 1920s to the outbreak of
World War II, when he left for California,
Faulkner published 13 novels and many short
stories. Such a body of work formed the
basis of his reputation and led to his being
awarded the Nobel Prize at age 52.

Faulkner's prodigious output, mainly driven
by an obscure writer's need for money,
includes his most celebrated novels such as
The Sound and the Fury (1929), As I Lay
Dying (1930), Light in August (1932), and
Absalom, Absalom! (1936). Faulkner was also
a prolific writer of short stories.

His first short story collection, These 13
(1931), includes many of his most acclaimed
(and most frequently anthologized) stories,
including "A Rose for Emily", "Red
Leaves", "That Evening Sun", and "Dry September".

Faulkner set many of his short
stories and novels in Yoknapatawpha County
— based on, and nearly geographically
identical to, Lafayette County, of which his
hometown of Oxford, Mississippi, is the county seat.

Yoknapatawpha was Faulkner's "postage stamp",
and the bulk of work that it represents is widely
considered by critics to amount to one of the most
monumental fictional creations in the
history of literature. Three novels, The
Hamlet, The Town and The Mansion, known
collectively as the Snopes Trilogy, document
the town of Jefferson and its environs, as
an extended family headed by Flem Snopes
insinuates itself into the lives and psyches
of the general populace.

His short story, "A Rose for Emily", was his
first story published in a major magazine,
the Forum, but received little attention
from the public. After several revisions and
republishings, it started to gain popularity
and is now remembered as one of the stories
that jump-started his career.

Faulkner was known for his experimental
style with meticulous attention to diction
and cadence. In contrast to the minimalist
understatement of his contemporary Ernest
Hemingway, Faulkner made frequent use
of "stream of consciousness" in his writing,
and wrote often highly emotional, subtle,
cerebral, complex, and sometimes Gothic or
grotesque stories of a wide variety of
characters including former slaves or
descendants of slaves, poor white, agrarian,
or working-class Southerners, and Southern aristocrats.

In an interview with The Paris Review in
1956, Faulkner remarked:

Let the writer take up surgery or
bricklaying if he is interested in
technique. There is no mechanical way to get
the writing done, no shortcut. The young
writer would be a fool to follow a theory.
Teach yourself by your own mistakes; people
learn only by error.

The good artist believes that nobody is good enough to give
him advice. He has supreme vanity. No matter
how much he admires the old writer, he wants to beat him.

Another esteemed Southern writer, Flannery
O'Connor, stated that "the presence alone of
Faulkner in our midst makes a great
difference in what the writer can and cannot
permit himself to do. Nobody wants his mule
and wagon stalled on the same track the
Dixie Limited is roaring down".

Faulkner wrote two volumes of poetry which
were published in small printings, The
Marble Faun (1924), and A Green Bough
(1933), and a collection of crime-fiction
short stories, Knight's Gambit (1949).

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Celebrated writer, Collection of Crime-fiction ~
(PIG: time-variant)

Positive Influence GRADE (PIG): C+


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