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Èú·¯-Arthur Hiller,¿µÈ­°¨µ¶,Film Director,Canada
¾Æ´õ Èú·¯ (Arthur Hiller), ¿µÈ­°¨µ¶
Àü°¥ÀÚ¸® µÅÁö¶ì



[Ãâ»ý-»ç¸Á] 1923³â 11¿ù 22ÀÏ, ij³ª´Ù
- 2016³â 8¿ù 17ÀÏ (92¼¼)

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~ 1995 Åä·ÐÅä´ëÇб³ ¹ýÇÐ ¸í¿¹¹Ú»ç

~ 1950 Åä·ÐÅä´ëÇб³ ´ëÇпø ½É¸®ÇÐ ¼®»ç

~ 1947 Åä·ÐÅä´ëÇб³ ¹®ÇÐ Çлç

[Ãßõ À¯Æ©ºê µ¿¿µ»ó]






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1999 Á¦51ȸ ¹Ì±¹ °¨µ¶ Á¶ÇÕ»ó ·Î¹öÆ® B.
¾Ëµå¸®Ä¡ »ó

1993 Á¦45ȸ ¹Ì±¹ °¨µ¶ Á¶ÇÕ»ó ¸í¿¹»ó

¾Æ¼­ Èú·¯(Arthur Hiller, 1923³â 11¿ù 22ÀÏ ~
2016³â 8¿ù 17ÀÏ)´Â ij³ª´ÙÀÇ ¿µÈ­ °¨µ¶ÀÌ´Ù.



Arthur Hiller´Â ij³ª´Ù°è ¹Ì±¹ÀÎ ÅÚ·¹ºñÀü ¹× ¿µÈ­ °¨µ¶À¸·Î
50³â °æ·Â µ¿¾È 33Æí ÀÌ»óÀÇ ¿µÈ­¸¦ Á¦ÀÛÇß´Ù.

±×´Â ij³ª´Ù¿¡¼­ ÅÚ·¹ºñÀü °¨µ¶À¸·Î °æ·ÂÀ» ½×±â ½ÃÀÛÇß°í
³ªÁß¿¡´Â ¹Ì±¹¿¡¼­ 1950³â´ë ÈĹݿ¡ ¿µÈ­,
´ëºÎºÐ Äڹ̵𸦠°¨µ¶Çϱ⠽ÃÀÛÇß´Ù.

Èú·¯´Â 7°³ÀÇ ¿À½ºÄ«»ó Èĺ¸¿¡ ¿À¸¥
·¯ºê ½ºÅ丮 (1970)¿Í °°Àº µå¶ó¸¶¿Í
·Î¸ÇƽÇÑ ÁÖÁ¦¸¦ ¿¬ÃâÇß´Ù.

Hiller´Â ½Ã³ª¸®¿À ÀÛ°¡ Paddy Chayefsky ¹× Neil Simon°ú ÇÔ²²
¿µÈ­¸¦ °øµ¿ ÀÛ¾÷Çß´Ù.

±×ÀÇ ´Ù¸¥ ¿µÈ­·Î´Â The Americanization of Emily (1964),
Tobruk (1967), The Hospital (1971), The Out-of-Towners (1970),
Plaza Suite (1971), The Man in the Glass Booth (1975),
Silver Streak (1976), The In-Laws (1979) ¹× Outrageous Fortune (1987).

Hiller´Â 1989³âºÎÅÍ 1993³â±îÁö ¹Ì±¹ °¨µ¶ Á¶ÇÕ È¸Àå,
1993³âºÎÅÍ 1997³â±îÁö ¿µÈ­¿¹¼ú °úÇÐ ¾ÆÄ«µ¥¹Ì ȸÀåÀ» ¿ªÀÓÇß´Ù.

±×´Â 2002³â Jean Hersholt ÀεµÁÖÀÇ»óÀ» ¼ö»óÇß´Ù.

Hiller¸¦ ±â¸®´Â ¿¬·Ê ¿µÈ­Á¦°¡ 2006³âºÎÅÍ 2009³â±îÁö
±×ÀÇ ¸ð±³ÀÎ Victoria School of Performing and
Visual Arts ¿¡¼­ ¿­·È´Ù.

[»ý¾Ö]
Hiller´Â 1923³â 11¿ù ¾Ù¹öŸ ÁÖ ¿¡µå¸ÕÅÏ¿¡¼­
Rose(Garfin)¿Í Harry HillerÀÇ ¾Æµé·Î ž´Ù.

±×ÀÇ °¡Á·Àº À¯´ëÀÎÀ̾ú°í 1912³â¿¡ Æú¶õµå¿¡¼­ ÀÌÁÖÇß´Ù.

±×¿¡°Ô´Â µÎ ¸íÀÇ ÀڸŰ¡ ÀÖ¾ú´Âµ¥,
ÇÑ ¸íÀº 13¼¼, ´Ù¸¥ ÇÑ ¸íÀº 11¼¼¿´´Ù.

±×ÀÇ ¾Æ¹öÁö´Â ¿¡µå¸ÕÅÏ¿¡¼­ Áß°í ¾Ç±â °¡°Ô¸¦ ¿î¿µÇß´Ù.

±×ÀÇ ºÎ¸ð´Â ¿¬±Ø Àü¹®°¡°¡ ¾Æ´ÏÁö¸¸
450¸íÀ¸·Î ±¸¼ºµÈ À¯´ëÀÎ °øµ¿Ã¼¸¦ À§ÇØ
1³â¿¡ ÇѵΠ¹ø À¯´ëÀÎ ¿¬±ØÀ» ÇÏ´Â °ÍÀ» Áñ°å´Ù°í ÇÑ´Ù.

Hiller´Â ±×°¡ 7~8¼¼ ¶§ ±×µéÀÌ À̵ð½Ã¾î ±ØÀåÀ»
½ÃÀÛÇß´Ù°í ȸ»óÇß´Ù.

Èú·¯´Â "ºÎ¸ð´ÔÀÌ ³»°Ô ½É¾îÁØ ¿¬±Ø°ú À½¾Ç,
¹®Çп¡ ´ëÇÑ »ç¶û"ÀÌ ³ªÁß¿¡ TV¿Í ¿µÈ­ °¨µ¶À» ¼±ÅÃÇÏ´Â µ¥
±â¿©Çß´Ù°í ¸»Çß´Ù.

°íµîÇб³¸¦ Á¹¾÷ÇÑ ÈÄ,
1941³â Á¦2Â÷ ¼¼°è ´ëÀü Áß¿¡ ¿Õ¸³ ij³ª´Ù °ø±º¿¡ ÀÔ´ëÇß´Ù.

±×´Â À¯·´¿¡¼­ ³ªÄ¡°¡ ÅëÁ¦ÇÏ´Â ¿µÅä¿¡¼­
¾ß°£ ÀÓ¹«¸¦ ¼öÇàÇÏ´Â 4¹ß ¿£Áø Æø°Ý±âÀÇ Ç×ÇØ»ç·Î ±Ù¹«Çß´Ù.

Èú·¯´Â ±º º¹¹«¸¦ ¸¶Ä¡°í µ¹¾Æ¿Â ÈÄ,
1947³â Åä·ÐÅä ´ëÇб³¿¡ µî·ÏÇÏ°í Á¹¾÷ÇßÀ¸¸ç,
1947³â¿¡ ¹®Çлç ÇÐÀ§¸¦ ¹Þ¾Ò°í,

Çо÷À» °è¼ÓÇؼ­ 1950³â¿¡ ½É¸®ÇÐ ¼®»ç ÇÐÀ§¸¦ ¹Þ¾Ò´Ù.

Á¹¾÷ ÈÄ ±×ÀÇ Ãʱâ Á÷¾÷ Áß Çϳª´Â ij³ª´Ù ¶óµð¿À¿¡¼­
´Ù¾çÇÑ °øº¸ ÇÁ·Î±×·¥À» °¨µ¶ÇÏ´Â °ÍÀ̾ú´Ù.

Hiller´Â Canadian Broadcasting Corporation ¿¡¼­
ÅÚ·¹ºñÀü °¨µ¶À¸·Î °æ·ÂÀ» ½ÃÀÛÇß´Ù.

¹Ì±¹ÀÇ ÁÖ¿ä ³×Æ®¿öÅ© Áß ÇϳªÀÎ NBC´Â
±×ÀÇ Ä³³ª´Ù¿¡¼­ÀÇ ÀÛ¾÷À» º¸°í
±×¿¡°Ô ÅÚ·¹ºñÀü µå¶ó¸¶ °¨µ¶ ÀÚ¸®¸¦ Á¦¾ÈÇß´Ù.

´ÙÀ½ ¸î ³â µ¿¾È ÀÛÀº È­¸é¿¡ ´ëÇÑ ±×ÀÇ ÀÛ¾÷¿¡´Â
Thriller , Alfred Hitchcock Presents , The Rifleman ,
Gunsmoke , Naked City , Perry Mason ¹× Playhouse 90 ÀÇ
¿¡ÇǼҵ尡 Æ÷ÇԵǾú´Ù.

[¼ö»ó ¹× ¿µ¿¹]
Hiller´Â 1989³âºÎÅÍ 1993³â±îÁö
¹Ì±¹ °¨µ¶ Á¶ÇÕ (DGA)ÀÇ È¸ÀåÀ» ¿ªÀÓÇß´Ù.

DGA´Â 1999³â Robert B. Aldrich »óÀ» Hiller¿¡°Ô,
1993³â DGA Honorary Life Member Award¸¦ ¼ö¿©Çß´Ù.

1970³â ±×´Â DGA Award Áö¸íÀ» ¹Þ¾Ò´Ù.

·¯ºê ½ºÅ丮 ÀÇ ÀåÆí ¿µÈ­¿¡¼­ ¶Ù¾î³­ °¨µ¶»óÀ» ¼ö»óÇß´Ù.

Èú·¯´Â ¶ÇÇÑ 1989³âºÎÅÍ 2005³â±îÁö
¹Ì±¹ ÀÇȸ µµ¼­°ü ÀÇ ±¹¸³¿µÈ­º¸Á¸À§¿øȸ ȸ¿ø°ú
1993³âºÎÅÍ 1997³â±îÁö ¿µÈ­ ¿¹¼ú °úÇÐ ¾ÆÄ«µ¥¹Ì ȸÀåÀ» ¿ªÀÓÇß´Ù.

Èú·¯´Â 2002³â ¾ÆÄ«µ¥¹Ì ½Ã»ó½Ä¿¡¼­
ÀεµÁÖÀÇ, ÀÚ¼± ¹× ¹Ú¾ÖÁÖÀÇÀû ³ë·ÂÀ» ÀÎÁ¤¹Þ¾Æ
Jean Hersholt Humanitarian Award¸¦ ¼ö»óÇß´Ù.

2002³â¿¡´Â Åä·ÐÅä¿¡¼­ ¿­¸° ij³ª´Ù ¸í¿¹ÀÇ °Å¸®¿¡
½ºÅ¸·Î À̸§À» ¿Ã·È´Ù.

Èú·¯´Â 2006³â¿¡ ij³ª´Ù ÈÆÀåÀ» ¹Þ¾Ò´Ù.

ÀÛ°¡ÀÌÀÚ ÇÁ·Îµà¼­ÀÎ William Froug´Â
"Hiller´Â Æò»ý °â¼ÕÀ» À¯ÁöÇÑ Èñ±ÍÇÏ°í
´ë´ÜÈ÷ ¼º°øÇÑ ½Å»ç"¶ó°í ¸»Çß´Ù.

1995³â 6¿ù ºòÅ丮¾Æ ´ëÇб³¿¡¼­
¸í¿¹ ¹Ì¼ú ¹Ú»ç ÇÐÀ§¸¦ ¹Þ¾Ò´Ù.

1995³â 11¿ù Åä·ÐÅä ´ëÇб³¿¡¼­
¸í¿¹ ¹ýÇÐ ¹Ú»ç ÇÐÀ§(LL.D)¸¦ ¹Þ¾Ò´Ù.

[ÂùÁ¶ K-Pop]


[°³ÀÎÀÇ »î°ú Á×À½]
1948³â¿¡ ±×´Â À¯´ëÀÎÀ̱⵵ ÇÑ ±×À¢ ÆäüƮ¿Í °áÈ¥Çß´Ù.

[ÂùÁ¶ K-Pop]


±×µéÀº µÎ ¸íÀÇ ÀÚ³à¿Í µÎ ¸íÀÇ ¼ÕÀÚ°¡ ÀÖ¾ú´Ù.

±×ÀÇ ¾Æ³»´Â 2016³â 6¿ù 24ÀÏ¿¡ »ç¸ÁÇߴµ¥,
±×µéÀÌ °áÈ¥ÇÑ Áö 68³âÀÌ µÈ ÇØ¿´´Ù.

[ÂùÁ¶ K-Pop]


Hiller´Â °ÅÀÇ µÎ ´Þ ÈÄÀÎ 2016³â 8¿ù 17ÀÏ
·Î½º¾ØÁ©·¹½º¿¡¼­ 92¼¼ÀÇ ³ªÀÌ·Î ÀÚ¿¬»çÇß´Ù.

[Ã߸ð K-Pop]


[Ã߸𠿵ȭÀ½¾Ç Love Story OST]


[Ã߸𠿵ȭÀ½¾Ç Love Story OST]


[ÀÛÇ°]
1957³â - ¡¶Ä³¸®¾î½º À̾¡·

1963³â - ¡¶ÈÙ·¯ µô·¯¡·

1963³â - ¡¶¹Ì¶óŬ ¿Àºê ´õ È­ÀÌÆ® ½ºÅŸ®¾ð½º¡·

1964³â - ¡¶¿¡¹Ð¸®¸¦ ¹Ì±¹ »ç¶÷À¸·Î ¸¸µé±â¡·

1965³â - ¡¶ÇÁ¶ó¹Ì½º Ç㠾ִϾš·

1966³â - ¡¶Æä³Ú·ÎÇÇ¡·

1967³â - ¡¶Å¸ÀÌ°Å ¸ÞÀÌÅ© ¾Æ¿ô¡·

1967³â - ¡¶Åäºê·°¡·

1969³â - ¡¶ÆÄÇÇ¡·

1970³â - ¡¶¾Æ¿ô ¿Àºê Ÿ¿ì³Ê½º¡·

1971³â - ¡¶·¯ºê½ºÅ丮¡·



1971³â - ¡¶Á¾ÇÕº´¿ø¡·

1971³â - ¡¶719È£ÀÇ ¼Õ´Ôµé¡·

1972³â - ¡¶µ·Å°È£Åס·

1974³â - ¡¶Å©·¹ÀÌÁö ¿ùµå ¿Àºê ÁÙ¸®¾î½º ºê·ç´õ¡·

1975³â - ¡¶¸Ç ÀÎ ´õ ±Û·¡½º ºÎ½º¡·

1976³â - ¡¶¾î´À Äڹ̵ð¾ðÀÇ ´«¹°¡·

1977³â - ¡¶½Ç¹ö ½ºÆ®¸¯¡·



1979³â - ¡¶ÁöÂü±Ý 2¹é¸¸ºÒ¡·

1979³â - ¡¶³ªÀÌÆ®À®¡·

1982³â - ¡¶ºê·Îµå¿þÀÌ¿¡ ¸·ÀÌ ¿À¸¦ ¶§¡·

1982³â - ¡¶µÎ ³²ÀÚ¡·

1983³â - ¡¶·Î¸Çƽ Äڹ̵ð¡·

1984³â - ¡¶¿Ü·Î¿î »ç³»¡·

1984³â - ¡¶³¡¾ø´Â »ç¶û¡·



1988³â - ¡¶Æ÷Ãá¡·

1989³â - ¡¶´º¿å »ìÀÎ »ç°Ç¡·

1991³â - ¡¶¼öø ¼ÓÀÇ Çà¿î¡·

1992³â - ¡¶º£À̺꡷

1993³â - ¡¶À§±âÀÇ °áÇÕ¡·

1996³â - ¡¶Ä«Ç®¡·

1997³â - ¡¶¾Ë¶õ ½º¹Ì½Ã ¿µÈ­¡·

2006³â - ¡¶ÆÜÅ°µå¡·



*************************************

·¯ºê½ºÅ丮 Love Story

[°¨µ¶] ¾Æ¼­ Èú·¯

[Á¦ÀÛ] ÇÏ¿öµå ¹Î½ºÅ°

[°¢º»] ¿¡¸¯ ½Ã°É

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¶óÀ̾ð ¿À´Ò
¾Ë¸® ¸Æ±×·Î¿ì



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[Á¦ÀÛ»ç] ÆĶ󸶿îÆ® ÇÈó½º

[¹è±Þ»ç] ÆĶ󸶿îÆ® ÇÈó½º

[°³ºÀÀÏ] 1971³â 12¿ù 19ÀÏ

[½Ã°£] 99ºÐ

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1971 43ȸ ¹Ì±¹ ¾ÆÄ«µ¥¹Ì ½Ã»ó½Ä(À½¾Ç»ó)
28ȸ °ñµç ±Û·Îºê ½Ã»ó½Ä
(ÀÛÇ°»ó-µå¶ó¸¶, ¿©¿ìÁÖ¿¬»ó-µå¶ó¸¶, °¨µ¶»ó, °¢º»»ó, À½¾Ç»ó)

[±¹°¡] ¹Ì±¹

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[¼öÀÍ] 1¾ï 3640¸¸´Þ·¯

[ÈÄÆí] ¿Ã¸®¹ö ½ºÅ丮



·¯ºê½ºÅ丮(Love Story)´Â ¿¡¸¯ ½Ã°ÉÀÇ ¼Ò¼³
·¯ºê½ºÅ丮¸¦ ¿µÈ­ÇÑ ÀÛÇ°À¸·Î, 1970³â °³ºÀÇÏ¿´´Ù.

8³âÈÄ¿¡ ÈļÓÀÛÀÎ ¿Ã¸®¹ö ½ºÅ丮°¡ °³ºÀÇß´Ù.



[ÁٰŸ®]
¸í¹®°¡ÀÇ »ó¼ÓÀÚÀÎ ÇϹöµå ´ëÇб³ Çкλý
¿Ã¸®¹ö°¡ °¡³­ÇÑ ÀÌÅ»¸®¾Æ À̹ÎÀÚ Áý¾È Ãâ½ÅÀÎ
·¡µåŬ¸®ÇÁ Ä®¸®Áö(ÇöÀç ÇϹöµå ÇкÎÀÇ ÀϺÎ)
Çлý Á¦´Ï¿Í µµ¼­°ü¿¡¼­ ¸¸³ª »ç¶û¿¡ ºüÁø´Ù.

µÎ »ç¶÷ÀÇ »ç¶ûÀº °áÈ¥¿¡ À̸£°Ô µÇÁö¸¸ ÀÌ °áÈ¥À»
¹Ý´ëÇÑ ¿Ã¸®¹öÀÇ ¾Æ¹öÁö´Â ¾Æµé¿¡°Ô ÀÇÀýÀ» ¼±¾ðÇÏ°í
¿øÁ¶¸¦ ²÷¾î ¹ö¸°´Ù.

¿Ã¸®¹ö´Â ÀÚºñ·Î ¾î·Æ°Ô ÇϹöµå ·Î½ºÄð¿¡ ÀÔÇÐÇÏ°Ô µÇ°í
Á¦´Ï´Â »ç¸³Çб³ ±³»ç·Î ÃëÁ÷ÇÏ¿©

µÑÀº Çб³ ±Ùó¿¡ À§Ä¡ÇÑ ÁýÀÇ ²À´ë±â ÃþÀ» ¾ò¾î
Èûµé°Ô »ýÈ°ÇÑ´Ù.

¿Ã¸®¹ö°¡ ·Î½ºÄðÀ» Àü±³ 3µîÀ¸·Î Á¹¾÷ÇÏ°í
´º¿åÀÇ À¯¸í ·ÎÆß¿¡ ÃëÁ÷ÇÔÀ¸·Î½á

°Ü¿ì ÀÌÁ¦ ÇູÀÌ Ã£¾Æ¿À´Â µíÇßÀ¸³ª
¿Ã¸®¹ö´Â Á¦´Ï°¡ ¹éÇ÷º´ ¸»±â¶ó´Â Ãæ°ÝÀûÀÎ »ç½Ç¿¡
Á÷¸éÇÏ°Ô µÈ´Ù.

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------------------------------

¾Ù¸® ¸Æ±×·Î Ali MacGraw

[º»¸í] ¿¤¸®ÀÚº£½º ¾Ù¸®½º ¸Æ±×·Î
Elizabeth Alice MacGraw

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[Ãâ»ý] 1939³â 4¿ù 1ÀÏ
´º¿å ÁÖ, ÆÄ¿îµå¸®Áö

[±¹Àû] ¹Ì±¹

[Á÷¾÷] (¿©ÀÚ)¹è¿ì

[ÀÚ³à] Á¶½´¾Æ ¿¡¹ø½º

[½Åü] 173cm

[µ¥ºß] 1968³â ¿µÈ­ 'A Lovely Way to Die'

¾Ù¸® ¸Æ±×·Î(Ali MacGraw, 1939³â 4¿ù 1ÀÏ ~ )´Â
¹Ì±¹ÀÇ ¿©ÀÚ ¹è¿ìÀÌ´Ù.

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[Ã⿬ ÀÛÇ°]
°Ù¾î¿þÀÌ

·¯ºê ½ºÅ丮 µî

ÀÛÇ°¿µÈ­ 7°Ç

[¼ö»ó³»¿ª]
1972 Á¦29ȸ °ñµç ±Û·Îºê ½Ã»ó½Ä ¿©ÀÚ Àαâ»ó

1971 Á¦28ȸ °ñµç ±Û·Îºê ½Ã»ó½Ä ¿©¿ìÁÖ¿¬»ó

1970 Á¦27ȸ °ñµç ±Û·Îºê ½Ã»ó½Ä ¿©¿ì½ÅÀλó

-------------------

¶óÀ̾ð ¿À´Ò Ryan O'Neal

[º»¸í] Âû½º ÆÐÆ®¸¯ ¶óÀ̾ð ¿À´Ò ÁִϾî
Charles Patrick Ryan O'Neal, Jr.

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[Ãâ»ý] 1941³â 4¿ù 20ÀÏ
Ķ¸®Æ÷´Ï¾Æ ÁÖ, ·Î½º¾ØÁ©·¹½º

[»ç¸Á] 2023³â 12¿ù 8ÀÏ(82¼¼)

[±¹Àû] ¹Ì±¹

[Á÷¾÷] (³²ÀÚ)¹è¿ì

[È°µ¿ ±â°£] 1960³â - ÇöÀç

[ºÎ¸ð] Âû½º ¿À´Ò, ÆÛÆ®¸®»þ ¿À´Ò

[¹è¿ìÀÚ]
Á¶¾Ö³ª ¹«¾î (1963-1967)

¸® Å×ÀÏ·¯ ¿µ (1967-1973)

ÆĶó Æ÷¼Â (1979-97, 2001-09)

[½Åü] 185cm

[ÀÚ³à]
Å×ÀÌÅÒ ¿À´Ò

±×¸®ÇÉ ¿À´Ò

ÆÐÆ®¸¯ ¿À´Ò

·¹µå¸Õµå Æ÷¼Â ¿À´Ò

¶óÀ̾ð ¿À´Ò(Ryan O'Neal, 1941³â 4¿ù 20ÀÏ ~ )Àº
¹Ì±¹ÀÇ ³²ÀÚ ¹è¿ìÀÌ´Ù.

¹Ì±¹ Ķ¸®Æ÷´Ï¾Æ ·Î½º¾ØÁ©·¹½º Ãâ½ÅÀ¸·Î
¹ÀÇî¾Æ¸Þ¸®Ä­ °íµîÇб³¸¦ Á¹¾÷ÇÏ°í,

1964³â ÆäÀÌÆ° Ç÷¹ÀÌÁî (TV½Ã¸®Áî)¿¡ Ã⿬Çϸ鼭
¹è¿ì·Î µ¥ºßÇÑ´Ù.

1970³â ·¯ºê½ºÅ丮¿¡¼­ ¿Ã¸®¹ö ¹Ù·¿ 4¼¼·Î
Ã⿬Çϸ鼭 ¸í¼ºÀ» ¾ò°Ô µÈ´Ù.

ÇÔ²² Ã⿬ÇÑ ¹è¿ì ¾Ù¸® ¸Æ±×·Î´Â Á¦28ȸ(1971)
°ñµç ±Û·Îºê ½Ã»ó½Ä ¿©¿ìÁÖ¿¬»óÀ» ¹Þ±âµµ Çß´Ù.

µþ Å×ÀÌÅÒ ¿À´Òµµ ¹è¿ì·Î È°µ¿ÇÏ°í ÀÖÀ¸¸ç
µþ Å×ÀÌÅÒÀº ¶óÀ̾ð ¿À´Ò°ú ¿µÈ­ ÆäÀÌÆÛ¹®¿¡
ÇÔ²² Ã⿬Çϱ⵵ ÇÏ¿´´Ù.

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[Ã⿬ ÀÛÇ°]
1970³â ·¯ºê ½ºÅ丮

1973³â ÆäÀÌÆÛ¹®

1975³â º£¸®¸°µç

1977³â ¸Ó³ª¸Õ ´Ù¸®

----------------------------

[ê GPT ´äº¯¿¡ ¿À·ù(hallucination: ȯ°¢ µî)°¡ ÀÖÀ¸´Ï,
´Ü¼ø Àç¹Ì·Î¸¸ ÂüÁ¶¹Ù¶÷: 3Ùí ½Å·Ú¼º ¾øÀ½, Á¤È®¼º ¾øÀ½, ÀÏ°ü¼º ¾øÀ½]
(from https://chat.openai.com/chat)

¾Æ´õ Èú·¯(Arthur Hiller, ¿µÈ­°¨µ¶, Film Director, Canada)°¡
Á¦ÀÏ ÁÁ¾ÆÇÑ ¿ª»çÀû Àι°Àº?


¾Æ´õ Èú·¯°¡ °¡Àå ÁÁ¾ÆÇÑ ¿ª»çÀû Àι°¿¡ ´ëÇÑ
±¸Ã¼ÀûÀÎ Á¤º¸´Â Á¦ Áö½Ä ¹üÀ§ ³»¿¡´Â Æ÷ÇԵǾî ÀÖÁö ¾Ê½À´Ï´Ù.

¾Æ´õ Èú·¯ÀÇ °³ÀÎÀûÀÎ ÃëÇâÀ̳ª °ü½É»ç´Â
Á¦°¡ ¾ËÁö ¸øÇÏ´Â Á¤º¸ Áß ÇϳªÀÏ ¼ö ÀÖ½À´Ï´Ù.

±×·¯¹Ç·Î ÀÌ¿¡ ´ëÇÑ Á¤È®ÇÑ ´äº¯Àº
¾Æ½±°Ôµµ Á¦°øÇØ µå¸± ¼ö ¾ø½À´Ï´Ù.

¸¸¾à ´Ù¸¥ ÁÖÁ¦³ª Á¤º¸¿¡ ´ëÇØ ±Ã±ÝÇÑ Á¡ÀÌ ÀÖ´Ù¸é ¾ðÁ¦µçÁö ¹°¾îº¸¼¼¿ä!

¾Æ´õ Èú·¯(Arthur Hiller, ¿µÈ­°¨µ¶, Film Director, Canada)°¡
ÁÁ¾ÆÇÒ¸¸ÇÑ Çѱ¹ÀÇ Æ®·ÎÆ®³ª ¹ß¶óµå ³ë·¡ Á¦¸ñÀº ¹«¾ùÀϱî?


¾Æ´õ Èú·¯°¡ ÁÁ¾ÆÇÒ ¸¸ÇÑ Çѱ¹ÀÇ Æ®·ÎÆ®³ª ¹ß¶óµå ³ë·¡¸¦
Á¤È®ÇÏ°Ô ¾ËÁö´Â ¸øÇÏÁö¸¸,
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Arthur Hiller

[Born] November 22, 1923
Edmonton, Alberta, Canada

[Died] August 17, 2016 (aged 92)
Los Angeles, California, U.S.

[Occupation] Film and television director
[Years active] 1955–2006

[Spouse(s)] Gwen Pechet
(m. 1948–2016; her death)

[Children] 2

Arthur Hiller, OC (November 22, 1923
~ August 17, 2016) was a Canadian-American
television and film director, having
directed over 33 films during his 50-year career.

He began his career directing
television in Canada and later in the U.S.
By the late 1950s he began directing films,
most often comedies. He also directed dramas
and romantic subjects, such as Love Story
(1970), which was nominated for seven Oscars.

Hiller collaborated on a number of films
with screenwriters Paddy Chayefsky and Neil Simon.

Among his other notable films were
The Americanization of Emily (1964), Tobruk
(1967), The Hospital (1971), The Out-of-
Towners (1970), Plaza Suite (1971), The Man
in the Glass Booth (1975), Silver Streak
(1976), The In-Laws (1979) and Outrageous Fortune (1987).



Hiller served as president of the Directors
Guild of America from 1989 to 1993 and
president of the Academy of Motion Picture
Arts and Sciences from 1993 to 1997.

He was the recipient of the Jean Hersholt
Humanitarian Award in 2002. An annual film
festival in Hiller's honor was held from
2006 until 2009 at his alma mater, Victoria
School of Performing and Visual Arts.

[Directing career]
Hiller began his career as a television
director with the Canadian Broadcasting Corporation.

NBC, one of the main networks
in the United States, seeing his work in
Canada, offered him positions directing
television dramas. Over the next few years,
his work for the small screen included
episodes of Thriller, Alfred Hitchcock
Presents, Gunsmoke, Naked City, and
Playhouse 90.

[1950s–1960s]
Hiller directed his first film, The Careless
Years (1957), the story of young couple eloping.

This was followed by This Rugged
Land (1962), originally made for television
but then released as a film, and then
Miracle of the White Stallions (1963), a Disney film.

With these first films, Hiller
already showed competence in directing
unrelated subjects successfully.

He next directed a satirical anti-war comedy
by screenwriter Paddy Chayefsky, The
Americanization of Emily (1964), starring
James Garner and Julie Andrews.

It was the first of two film collaborations with
Chayevsky. The film, nominated for two
Academy Awards, would establish Hiller as a
notable Hollywood director and, according to
critics, "earned him a reputation for flair
with sophisticated comedy."

The New York Times critic Bosley Crowther wrote that
Hiller's "brisk direction" of Chayefsky's
script included some "remarkably good
writing with some slashing irreverence."

The comedy Promise Her Anything (1965), with
Warren Beatty and Leslie Caron, followed by
Penelope (1966), starring Natalie Wood.

In a move away from comedy, he directed the
desert warfare drama, Tobruk (1967),
starring Rock Hudson and George Peppard,
about a North African Campaign during World War II.

The film was nominated for one
Academy Award and showed Hiller capable of
handling action films as well as comedy.

Around the same time, he returned to comedy
with The Tiger Makes Out (also 1967),
starring Eli Wallach and Anne Jackson, and
featured Dustin Hoffman's film debut. Popi
(1969), recounts the tale of a Puerto Rican
widower, starring Alan Arkin, struggling to
raise his two young sons in the New York
City neighborhood known as Spanish Harlem.
Arkin was nominated for a Golden Globe Award
for Best Actor.

[1970s]
Hiller directed Love Story (1970), his best
known work and most successful at the box-
office. The film stars Ryan O'Neal and Ali
MacGraw in a romantic tragedy, and it was
nominated for 7 Academy Awards including
Best Director. The American Film Institute
ranks it No. 9 in their list of the greatest
love stories.

Critic Roger Ebert disagreed
with some critics who felt the story was too
contrived: "Why shouldn't we get a little
misty during a story about young lovers
separated by death? Hiller earns our
emotional response because of the way he's
directed the movie. . . . The movie is
mostly about life, however, not death. And
because Hiller makes the lovers into
individuals, of course we're moved by the
film's conclusion. Why not?"

The following year Hiller again collaborated
with screenwriter Paddy Chayevsky in
directing The Hospital (1971), a satire
starring George C. Scott which has been
described as being his best film. It is a
black comedy about disillusionment and chaos
within a hospital setting. Chayevsky
received the Academy Award for Best Original Screenplay.

In directing the film, Hiller
tried to create a sense of action and
movement by keeping the camera mobile and
using handheld cameras as much as possible.
His goal was to have the camera reflect the
chaos and confusion taking place in the
hospital. "I've always liked that sort of
realistic feel," he states. "I wanted the
feeling that the audience was peeking around
the corner."

Hiller directed two comedy films in
collaboration with playwright Neil Simon.
The first film was The Out-of-Towners
(1970), starring Jack Lemmon and Sandy
Dennis, who were both nominated for Golden
Globe awards for their roles.

Their next collaboration was Plaza Suite (1971),
starring Walter Matthau, which was nominated
for the Golden Globe Award for Best Motion
Picture. Both films were driven by intense
comedy dialogue and were considered "crisply
directed" by reviewers.

Hiller returned to directing serious drama
with The Man in the Glass Booth (1975),
starring Maximilian Schell, in a screen
adaptation of a stage play written by Robert
Shaw. Schell played the role of a man trying
to deal with questions of self-identity and
guilt as a survivor of the Holocaust during
World War II. For his highly emotional role,
Schell was nominated for the Academy Award
for Best Actor and the Golden Globe Award.

Returning to comedy, Hiller directed Silver
Streak (1976), starring Gene Wilder, Jill
Clayburgh and Richard Pryor. The film was
well received by critics and is rated No. 95
on the AFI's best comedy films. He directed
another comedy, The In-Laws (1979), with
Peter Falk and Alan Arkin, which was also a
critical and commercial success.

[1980s]
Hiller directed the film Making Love, which
was released in February 1982, a story of a
married man coming to terms with his
homosexuality. Author! Author! (also 1982),
starred Al Pacino. The following year Hiller
directed Romantic Comedy (1983), starring
Dudley Moore and Mary Steenburgen. His next
comedy, The Lonely Guy (1984), starred Steve
Martin as a greeting card writer and was
followed by Teachers (1984), a comedy-drama
film starring Nick Nolte.

Outrageous Fortune (1987) stars Shelley Long
and Bette Midler. The film was successful at
the box office, with Midler being nominated
or winning various awards. The film was
followed by See No Evil, Hear No Evil
(1989), another comedy again starring Gene
Wilder and Richard Pryor. Pryor plays a
blind man and Wilder a deaf man who work
together to thwart a trio of murderous
thieves.

[1990s]
The 1990s saw Hiller directing a number of
films, most of which received negative or
mixed reviews: Taking Care of Business
(1990); The Babe (1992), a biographical film
about Babe Ruth, portrayed by John Goodman;
Married to It (1993) and Carpool (1996).

In 1997, Hiller helmed the infamous flop An
Alan Smithee Film: Burn Hollywood Burn,
which wound up living up to its title when
Hiller requested his name be removed from
the picture – thus truly making it an Alan
Smithee film. Nine years later, when he was
in his eighties, Hiller directed his last
film, National Lampoon's Pucked (2006),
starring rock star Jon Bon Jovi.

[Influences]
In an interview with journalist Robert K.
Elder for The Film That Changed My Life,
Hiller states that the film Rome, Open City
(1945) had had a strong influence on his
career because he saw it right after leaving
the military where he was a bomber navigator
in the Canadian Air Force. The film is set
during the Nazi occupation of Italy and
shows the priesthood and the Communists
teaming up against the enemy forces. Hiller
commented, "You just get the strongest
emotional feelings about what happened to
people in Italy."

Hiller preferred his scripts to
contain "good moral values," a preference
which he says came from his upbringing. He
wanted high quality screenplays whenever
possible, which partly explains why he
collaborated on multiple films with both
Paddy Chayefsky and Neil Simon. Hiller
explains his rationale:

Storytelling is innate to the human
condition. Its underpinnings are cerebral,
emotional, communal, psychological. One of
the storyteller's main responsibilities is
to resonate in the audience's psyche a
certain something at the end of it all, to
emotionally move the audience, to compel the
audience to "get it" on a visceral level.

[Awards and honors]
Hiller served as President of the Directors
Guild of America (DGA) from 1989 to 1993 DGA
presented Hiller with the Robert B. Aldrich
Award in 1999 and the DGA Honorary Life
Member Award in 1993. In 1970 he received a
DGA Award nomination for Outstanding
Directorial Achievement in Feature Film for
Love Story. He was also a member of the
National Film Preservation Board of the
Library of Congress from 1989–2005 and
President of the Academy of Motion Picture
Arts and Sciences from 1993 to 1997.

He received the Jean Hersholt Humanitarian
Award at the 2002 Academy Awards ceremony in
recognition of his humanitarian, charitable
and philanthropic efforts. In 2002, he was
honoured with a star on Canada's Walk of
Fame in Toronto. In 2006, he was made an
Officer of the Order of Canada. Writer and
producer William Froug said that "Hiller is
that rare and hugely successful gentleman
who has remained humble all his life."

He received the Honorary Degree of Doctor of
Fine Arts (DFA) from the University of
Victoria in June 1995. He received the
Honorary Degree of Doctor of Laws (LL.D)
from the University of Toronto in November 995.

[Personal life and death]
In 1948, he married Gwen Pechet, who was
also Jewish; they had two children and two
grandchildren. His wife died on June 24,
2016. They were married for 68 years. Hiller
died almost two months later in Los Angeles
on August 17, 2016 at the age of 92 from
natural causes.

[Filmography]
The Careless Years (1957)
Miracle of the White Stallions (1963)
The Wheeler Dealers (1963)
The Americanization of Emily (1964)
Promise Her Anything (1965)
Penelope (1966)
Tobruk (1967)
The Tiger Makes Out (1967)
Popi (1969)
The Out-of-Towners (1970)
Love Story (1970), Best Director Oscar
nomination



The Hospital (1971)
Plaza Suite (1971)
Man of La Mancha (1972)
The Crazy World of Julius Vrooder (1974)
The Man in the Glass Booth (1975)
Silver Streak (1976)
W.C. Fields and Me (1976)
Nightwing (1979)
The In-Laws (1979)
Making Love (1982)
Author! Author! (1982)
Romantic Comedy (1983)
The Lonely Guy (1984)
Teachers (1984)
Outrageous Fortune (1987)
See No Evil, Hear No Evil (1989)
Taking Care of Business (1990)
Married to It (1991)
The Babe (1992)
Carpool (1996)
An Alan Smithee Film: Burn Hollywood Burn
(1998) (credited as Alan Smithee)
National Lampoon's Pucked (2006)

*****************************************

[Love Story]



[Directed by] Arthur Hiller
[Produced by] Howard G. Minsky

[Written by] Erich Segal

[Starring] Ali MacGraw, Ryan O'Neal
[Music by] Francis Lai

[Distributed by] Paramount Pictures
[Release date] December 16, 1970
[Running time] 100 minutes
[Country] United States
[Language] English
[Budget] $2.2 million
[Box office] $136.4 million

Love Story is a 1970 American romantic drama film
written by Erich Segal, who was also the author
of the best-selling novel of the same name.
It was produced by Howard G. Minsky and directed
by Arthur Hiller and starred
Ali MacGraw and Ryan O'Neal, alongside John Marley,
Ray Milland, and Tommy Lee Jones in his film debut
in a minor role.



A tragedy, the film is considered one of
the most romantic by the American Film Institute
(#9 on the list) and is #37 in the list of
highest-grossing films in Canada and the United States.
It was followed by a sequel, Oliver's Story (1978),
starring O'Neal with Candice Bergen.

(from naver.com wikipedia.org, Ãßõ À¯Æ©ºê µ¿¿µ»ó,
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Cinema, Canada, CA, influence(+)~
(PIG: time-variant)

Positive Influence GRADE (PIG): C+


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