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¹ÚÁ¾È­-êÅ÷¨ ÚÓñ£ûú, ¼Ò¼³°¡, ½ÃÀÎ, Korea
¹ÚÁ¾È­ êÅ÷¨ ÚÓñ£ûú Park Chong-hwa, ¼Ò¼³°¡, ½ÃÀÎ



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======================================

Park Chong-hwa

[Born] October, 29, 1901
[Died] January 3, 1981 (aged 79)
[Language] Korean
[Nationality] South Korean
[Ethnicity] Korean
[Citizenship] South Korean

[Life]
Park Chong-hwa was born October 29,
1901, in Seoul, Korea. Park wrote
under the name Woltan and attended the
Huimun Uisuk Academy. Park worked as a
member of the literary club Swan (1922)
and was the Vice of the Choson Writers'
Association in 1946. He also served as
the Chairman of the Seoul Committee for
Arts (1947) and the Writers'
Association of Korea (1949). Park was
named the President of the Korea Arts
Council (1955) and Chairman of the
Board of the Korean Writers' Association (1964).
Park died on January 13, 1981.

[Work]
The Literature Translation Institute of
Korea summarizes Park's contributions
to Korean literature:
He first entered the literary world as
a poet, publishing ¡°Anguished Youth¡±
(Onoeui cheongchun) and ¡°Milk-colored
Streets¡± (Uyubit geori) in the
inaugural issue of the journal Rose
Village (Jangmichon), and ¡°Returning
to the Secret Room¡± (Milsillo
doragada) and ¡°Elegy¡± (Manga) in the
1922 inaugural issue of White Tide
(Baekjo). With his first poetry
collection, Private Melodies of the
Black Room (Heukbang bigok), published
in 1924, Park established his
reputation as a romantic poet. Turning
to fiction, however, Park Jonghwa
devoted the rest of his career to
writing historical novels that espouse
Korean nationalism.
Devotion to Korean national identity
remained the dominant theme of both
Park Jonghwa's fiction and life.
Even in the climate of intense
persecution toward the end of the
Japanese colonial rule, Park Jonghwa
refused to adopt a Japanese surname or
participate in pro-Japanese literary
organizations as many of his colleagues
had done.

During the colonial period, Park
published several works of historical
fiction, including Blood on a Silk
Sleeve (Geumsamui pi, 1936),
Long Awaited Spring (Daechunbu,
1939), The Eve (Jeonya, 1942), and
Compassion (Dajeongbulsim, 1942).
After the Liberation, Park Jonghwa
continued to be active in the
nationalist camp, serving as the vice
president of both Pan-Korean Writers¡¯
Association (Jeon Joseon munpilga
hyeophoe) and Pan-Korean Federation of
Cultural Organizations (Jeonguk munhwa
danche chong yeonhaphoe). He also
expressed his euphoria at the recovery
of national independence in The Nation
(Minjok), the last work in the trilogy
that includes two earlier works, The
Eve and Compassion. Thereafter, Park
Jonghwa turned to more remote times to
continue his examinations of Korean
history from a nationalist perspective.
Japanese Invasion of 1592 (Imjinwaeran,
1955) Hong Gyeongrae (1958), and The
World in Women¡¯s Hands (Yeoin cheonha,
1959) all manifest his desire to
unearth the vigorous spirit of national
pride from the pages of Korean history.
By virtue of meticulous research and
awareness of history¡¯s grand scope,
Park Jonghwa managed to preserve in
these historical novels a great variety
of Korean habits of thought and folk
customs.

[Works in Translation]
King Sejong (¼¼Á¾´ë¿Õ)

[Works in Korean (Partial)]
Novels
Blood on the Royal Sleeve
Ode to Spring
Friendly Buddha
My People
The Japanese Invasion
Resting Cloud
[Awards]
Cultural Medal by the Order of the
President in 1962
May 16 Nationalism Prize in Literature
in 1966
Republic of Korea Rose-of-Sharon
Citizen¡¯s Medal in 1970.

(from naver.com wikipedia.org)


Domestic, influence(+)~
(PIG: time-variant)

Positive Influence GRADE (PIG): D+


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