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»ç¶ó»çÅ×, Pablo de Sarasate, Violinist, Spain
Æĺí·Î µ¥ »ç¶ó»çÅ× (Pablo de Sarasate)
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Çѱ¹.net

[º»¸í] Æĺí·Î µ¥ »ç¶ó»çÅ×
Pablo de Sarasate

[Ãâ»ý] 1844³â 3¿ù 10ÀÏ
½ºÆäÀÎ ¿Õ±¹ ÆÊÇ÷γª

[½ºÆäÀÎ ÆÊÇ÷γª Pamplona]


[»ç¸Á] 1908³â 9¿ù 20ÀÏ (64¼¼)
ÇÁ¶û½º °øÈ­±¹ ºñ¾Æ¸®Ã÷

[ÇÁ¶û½º ºñ¾Æ¸®Ã÷ Biarritz]


[Á÷¾÷] ÀÛ°î°¡, ¹ÙÀ̿ø®´Ï½ºÆ®

[»çÁ¶] Èı⠳¶¸¸ÁÖÀÇ



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Æĺí·Î µ¥ »ç¶ó»çÅ×(Pablo de Sarasate,
1844³â 3¿ù 10ÀÏ ~ 1908³â 9¿ù 20ÀÏ)´Â
½ºÆäÀÎÀÇ ¹ÙÀ̿ø° ¿¬ÁÖÀÚÀÌÀÚ ÀÛ°î°¡ÀÌ´Ù.

19¼¼±âÀÇ °¡Àå ¶Ù¾î³­ ¹ÙÀ̿ø®´Ï½ºÆ®ÀÇ ÇÑ »ç¶÷ÀÌ´Ù.



»ç¶ó»çÅ×´Â ½ºÆäÀÎÀÇ ÆÊÇ÷γª¿¡¼­ Ãâ»ýÇØ,
¸¶µå¸®µå¿¡¼­ À½¾Ç°øºÎ¸¦ ¹Þ°í,

[½ºÆäÀÎ ÆÊÇ÷γª Pamplona]


[½ºÆäÀÎ ¸¶µå¸®µå Madrid]


1856³â ¿©¿Õ À̻级¶ó 2¼¼¿Í ³ª¹Ù¶óÁÖÀÇ
ÀåÇбÝÀ¸·Î Æĸ® À½¾Ç¿ø(Conservatoire de Paris)¿¡ ÀÔÇÐÇÏ¿©
¾Ë¶ó¸£ÀÇ °¡¸£Ä§À» ¹Þ¾Ò´Ù.



¾î·Á¼­ºÎÅÍ °üÁßµé ¾Õ¿¡¼­ ¿¬ÁÖÇÑ
±×´Â 1860³â Æĸ®¹«´ë¿¡ µ¥ºßÇß°í À̵ëÇØÀÎ
1861³â ·±´ø¿¡¼­ µ¥ºßÇß´Ù.

[1800³â´ë ¸»~1900³â´ë ÃÊ ·±´øÀÇ ¸ð½À]


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´ë ¿¬ÁÖ¿©ÇàÀ» ÇÏ¿© ¼º°øÀ» °ÅµÎ°í,

ÆÄ°¡´Ï´Ï(1782¡­1840) ÀÌ·¡ÀÇ ¹ÙÀ̿ø°ÀÇ
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1870³â¿¡ ±×´Â ´Ù½Ã Æĸ®·Î µ¹¾Æ¿Í È°¹ßÇÑ
¿¬ÁÖ È°µ¿À» °è¼ÓÇÏ¿´´Ù.

[1800³â´ë ¸»~1900³â´ë ÃÊ ÇÁ¶û½º Æĸ®ÀÇ ¸ð½À]


ÇÁ¶û½ºÀÇ ÀÛ°î°¡ ¶ö·Î´Â
±×ÀÇ ÃÖÃÊÀÇ '¹ÙÀ̿ø° ÇùÁÖ°î 1¹ø' °ú

'½ºÆäÀÎ ±³Çâ°î'À» ±×¿¡°Ô ÇåÁ¤ÇÏ¿´°í
»ý»ó½ºµµ '¼­ÁÖ¿Í ·Ðµµ Ä«ÇÁ¸®Ä¡¿À¼Ò'¸¦,

µ¶ÀÏÀÇ ÀÛ°î°¡ ºê·çÈå(1838¡­1920)µµ '¹ÙÀ̿ø° ÇùÁÖ°î Á¦2¹ø' °ú
'½ºÄÚƲ·£µå ȯ»ó°î'À» ±×¸¦ À§ÇØ ½è´Ù.



Æø³ÐÀº ºñºê¶óÅä¿Í °³¼ºÀûÀÎ ¸®µëÀÇ
¿¬ÁÖ´Â ¼¼°è ¿©·¯ ³ª¶óÀÇ Ã»ÁßµéÀ» ¿­±¤½ÃÄ×´Ù.



±×ÀÇ ÀÛÇ°Àº ÁÖ·Î ¹ÙÀ̿ø° °îÀ¸·Î¼­ <Ä¡°íÀ̳ʹÙÀÌÁ¨>,
<Ä«¸£¸à ȯ»ó°î>, <¿¡½ºÆÄ³Ä ¹«°î> µîÀÇ ¸í°îÀÌ ÀÖ´Ù.





[»ç¶ó»çÅ×ÀÇ ÀÛÇ°¸ñ·Ï]
Ä«¸£¸à ȯ»ó°î Op.25 (1840³â)
¿¡½ºÆÄ³Ä ¹«°î Op.21,22,23,26
Ä¡°íÀ̳ʹÙÀÌÁ¨



Op 1. Fantasy on La forza del destino
Op 2. Homenaje a Rossini
Op 3. Concert Fantasy on Boieldieus La Dame Blanche,
Op 4. Reverie
Op 5. Concert Fantasy on Gounods Romeo and Juliet,
Op 6. Caprice on Mireille
Op 7. Confidences
Op 8. Souvenir de Domont
Op 9. Les Adieux



Op 10. Serenade Andalouse
Op 11. Le sommeil
Op 12. Moscovienne



Op 13. Concert Fantasy on Gounods Faust
Op 14. Concert Fantasy on Webers Der Freischutz
Op 15. Mosaique de Zampa
Op 16. Gavota on Mignon
Op 17. Priere at Berceuse
Op 18. Airs espagnols
Op 19. Fantasy on Martha
Op 20. Zigeunerweisen



Op 21. Spanish Dances for Violin and Piano



Op 21-1. Malaguena



Op 22. Spanish Dances for Violin and Piano



Op 22-1. Romanza andaluza



Op 22-2. Jota Navarra
Op 23. Spanish Dances for Violin and Piano
Op 23-1. PlayeraOp 23-2. Zapateado



Op 24. Caprice basque



Op 25. Carmen Fantasy for Violin and Orchestra
Op 26. Spanish Dances for Violin and Piano
Op 26-1. Dance in C
Op 26-2. Dance in C
Op 27. Jota aragonesa, for violin & piano
Op 28. Serenade andalouse, for violin & piano
Op 29. El Canto del ruisenor, for violin & orchestra
Op 30. Bolero for Violin and Piano
Op 31. Balada
Op 32. Muneira
Op 33. Navarra for 2 Violins and Piano
Op 34. Airs ecossais
Op 35. Peteneras, for violin & piano
Op 36. Jota de San Fermin
Op 37. Zortizico Adios montanas mias, for violin & piano
Op 38. Viva Sevilla
Op 39. Zortzico de Iparaguirre, for violin & piano
Op 40. Introduction et fandango varie
Op 41. Introduction et caprice-jota
Op 42. Miramar-Zortzico, for violin & orchestra
Op 43. Introduction and Tarantela



Op 44. La chase
Op 45. Nocturne-serenade



Op 46. Barcarolle venitienne
Op 47. Melodie roumaine, for violin & piano
Op 48. Lesprit follet
Op 49. Chansons russes, for violin & orchestra
Op 50. Jota de Pamplona
Op 51. Fantasy on Don Giovanni
Op 52. Jota de Pablo, for violin & orchestra
Op 53. La Reve
Op 54. Concert fantasy on Mozarts Magic Flute








[ÁÖ¿äÀÛÇ°]
¡¸Áö°íÀ̳׸£¹ÙÀÌÁ¨¡¹ Op.20, No.1



¡¸ÇϹٳ׶ó¡¹(¡¸½ºÆäÀÎ ¹«°îÁý¡¹Áß¿¡¼­) Op.21, No.2
¡¸·Î¸¸ÀÚ ¾È´Þ·çÀÚ¡¹(¡¸½ºÆäÀÎ ¹«°îÁý¡¹Áß¿¡¼­) Op.22, No.1
¡¸È£Å¸ ³ª¹Ù¶ó¡¹(¡¸½ºÆäÀÎ ¹«°îÁý¡¹Áß¿¡¼­) Op.22, No.2
¡¸»çÆÄÅ׾Ƶµ¡¹(¡¸½ºÆäÀÎ ¹«°îÁý¡¹Áß¿¡¼­) Op.23, No.2
¡¸Ä«¸£¸à ȯ»ó°î¡¹ Op.25



¡¸¼­ÁÖ¿Í Å¸¶õÅÚ¶ó¡¹ Op.43

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1864³â¿¡ Æĸ®ÀÇ ¾î¶² ¾Æ°¡¾¾¿Í »ç¶ûÇß´ø »ç¶ó»çÅ×´Â
°á±¹ ±× ¿©ÀΰúÀÇ »ç¶ûÀÌ ½Ç¿¬À¸·Î ³¡³µÀ¸¸ç,

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"¾Ö¼ö" (ÀÓâÁ¤) µîÀÌ ÀÖ½À´Ï´Ù.

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Æĺí·Î µ¥ »ç¶ó»çÅ×(Pablo de Sarasate)ÀÇ ¿¡½ºÆÄ³Ä ¹«°î(Zapateado)Àº
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======================================

Pablo de Sarasate

[Birth name]
Pablo Martin Meliton de Sarasate y
Navascues



[Born] 10 March 1844 Pamplona, Spain

[Died] 20 September 1908 Biarritz, France

[Genres] Classical

[Occupation(s)]
Composer, conductor, violinist

[Years active] 1852-1904

Pablo Martin Meliton de Sarasate y
Navascues (10 March 1844 ~ 20 September
1908) was a Spanish violinist and
composer of the Romantic period.



[Career]
Pablo Sarasate was born in Pamplona,
Navarre, the son of an artillery
bandmaster. He began studying the
violin with his father at the age of
five and later took lessons from a local teacher.

His musical talent became evident early on and he appeared
in his first public concert in A Coruna
at the age of eight.

His performance was well-received, and caught the
attention of a wealthy patron who
provided the funding for Sarasate to
study under Manuel Rodriguez Saez in
Madrid, where he gained the favor of
Queen Isabella II. Later, as his
abilities developed, he was sent to
study under Jean-Delphin Alard at the
Paris Conservatoire at the age of twelve.

There, at seventeen, Sarasate
entered a competition for the Premier
Prix and won his first prize, the
Conservatoire's highest honour. (There
was not another Spanish violinist to
achieve this until Manuel Quiroga did
so in 1911; Quiroga was frequently
compared to Sarasate throughout his career.)



Sarasate, who had been publicly
performing since childhood, made his
Paris debut as a concert violinist in
1860, and played in London the
following year. Over the course of his
career, he toured many parts of the
world, performing in Europe, North
America, and South America.

His artistic pre-eminence was due
principally to the purity of his tone,
which was free from any tendency
towards the sentimental or rhapsodic,
and to that impressive facility of
execution that made him a virtuoso.

In his early career, Sarasate performed
mainly opera fantasies, most notably
the Carmen Fantasy, and various other
pieces that he had composed. The
popularity of Sarasate's Spanish
flavour in his compositions is
reflected in the work of his contemporaries.

For example, the influences of Spanish music can be
heard in such notable works as Edouard
Lalo's Symphonie Espagnole which was
dedicated to Sarasate; Georges Bizet's
Carmen; and Camille Saint-Saens'
Introduction and Rondo Capriccioso,
written expressly for Sarasate and
dedicated to him.



Of Sarasate's idiomatic writing for his
instrument, the playwright and music
critic George Bernard Shaw once
declared that though there were many
composers of music for the violin,
there were but few composers of violin
music. Of Sarasate's talents as
performer and composer, Shaw said that
he "left criticism gasping miles behind him".

Sarasate's own compositions are
mainly show-pieces designed to
demonstrate his exemplary technique.

Perhaps the best known of his works is
Zigeunerweisen (1878), a work for
violin and orchestra. Another piece,
the Carmen Fantasy (1883), also for
violin and orchestra, makes use of
themes from Georges Bizet's opera
Carmen. Probably his most performed
encores are his two books of Spanish
dances, brief pieces designed to please
the listener's ear and show off the performer's talent.

He also made arrangements of a number of other
composers' work for violin, and
composed sets of variations
on "potpourris" drawn from operas
familiar to his audiences, such as his
Fantasia on La forza del destino (his
Opus 1), his "Souvenirs of Faust", or
his variations on themes from Die Zauberflote.

In 1904 he made a small number of recordings.
In all his travels Sarasate returned to Pamplona
each year for the San Fermin festival.



Sarasate died in Biarritz, France, on
September 20, 1908, from chronic
bronchitis. He bequeathed his violin,
made by Antonio Stradivari in 1724, to
the Musee de la Musique. The violin now
bears his name as the Sarasate
Stradivarius in his memory.

His second Stradivari violin, the Boissier of
1713, is now owned by Real
Conservatorio Superior de Musica,
Madrid. Among his violin pupils was
Alfred De Seve. The Pablo Sarasate
International Violin Competition is
held in Pamplona.



A number of works for violin were
dedicated to Sarasate, including Henryk
Wieniawski's Violin Concerto No. 2,
Edouard Lalo's Symphonie Espagnole,
Camille Saint-Saens' Violin Concerto
No. 3 and his Introduction and Rondo
capriccioso, Max Bruch's Scottish
Fantasy, and Alexander Mackenzie's
Pibroch Suite. Also inspired by
Sarasate is William H. Potstock's
Souvenir de Sarasate.

(from naver.com wikipedia.org
³×À̹ö Áö½Ä¹é°ú)


Composer, Conductor, Concerto, influence(+)~
(PIG: time-variant)

Positive Influence GRADE (PIG): C+


(MoC: Map of Consciousness) ÀÇ½Ä Áöµµ

MoC(ÀÇ½Ä ¼öÁØ): 500 ÀÌ»ó


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